Three
Days To Go
Monday 23rd
February 2015
Q: What did we accomplish?
A:
·
Expanded upon the physical theatre elements
within the ‘Prologue’ of our performance.
·
Enhanced on characters, in both leading and
supporting roles.
·
and Began our first steps towards bringing our
new, and official, performance structure to life.
Q: How did we achieve this?
A:
·
In this video footage here, of our rehearsals,
we looked to devising the ‘Prologue’ including more physical theatre elements.
I felt this was an extremely
positive achievement, because we began to physicalize the opening scene and, I
felt, succeeded in projecting certain performance elements. Such as:
-
We showed what the patient characters suffer
from.
-
As well as how they respond to the therapist.
-
Plus we felt it could intrigue our audience to a
step where they wanted to know ‘what will happen next’.
Q: Did we receive any feedback? If so, were there any positive and negative
points worth taking in?
A: Positive
Points:
1. Good
presentation of the characters.
2. Good
physicality.
3. Good
stage structure.
Negative Points:
1. At
first, it was unclear that the patients were suffering from ‘OCD and Behaviour
Issues’.
2. I,
personally, needed to work on my “in character” vocal projection.
3. The
movements on stage needed more practice in order to achieve/present a good flow
to the entire performance.
4. With
our newly devised scene, using a ‘split stage’ structure, it became unclear as
to what the on stage characters relationships were.
Q: How can we improve for the next rehearsal session and
the main performance?
A: Negative
Point 1 – We decided to give
more meaning/usage to my prop, the
Dictaphone, and devised a
scripted section for me to introduce each act, and what the patient symptoms of
focus would in that particular act, and spoken in a narrative style. Plus that would give me the opportunity to
present vocally, and possibly physically, ‘Doctor Joe’s’ descending into
depression.
Negative
Point 2 – A point worth taking
in, and something I will personally make
achievable
for future rehearsals and the main performance.
Negative
Point 3 – Now knowing our
performance style of inspiration (Frantic Assembly
and Steven Berkoff) and
roughly how we are going to perform un-devised scenes in future acts, we aim to
“rehearse like mad” in order to achieve a fast and realistic flow to the entire
performance. Hopefully then we will
succeed in presenting the themes of ‘being trapped’, ‘taking too much pressure’,
and ‘wanting to break free’, as well as the human qualities/emotions of ‘secrets’,
‘depression’ and ‘isolation’. All of
which we extracted from ‘Bobbie Gentry’s Ode to Billy Joe’.
Negative
Point 4 – When devising/refining
scenes for Act One, we wanted to give more
meaning to one scene in
particular, this scene was Act One Scene Three, where we would show one of the
key character’s obsession with ‘Doctor Joe’.
Now I found that this scene particularly stands out because of our usage
of a manikin. I mentioned in a previous
blog, that the purpose of the manikin was to show the character’s obsession and
fantasies of my character ‘Doctor Joe’.
So the manikin was to physically represent the character’s fantasy of
her and ‘Doctor Joe’ getting married. We
would thereby reflect the Physical Theatre practitioners ‘DV8’ and their
performance style policy; “DV8 Physical
Theatre's work is about taking risks, aesthetically and physically, about
breaking down the barriers between dance and theatre and, above all,
communicating ideas and feelings clearly and unpretentiously.” - http://theatreanddance.britishcouncil.org/artists-and-companies/profiles/dv8-physical-theatre/ But we wanted to expand upon this scene in
particular and include the ‘split stage’ structure so we could show both ‘Doctor
Joe’s’ real love life and his patients fantasy love life, which she wishes to
share with ‘Doctor Joe’. Plus that could
have also helped us foreshadow the unrevealing truth that the patient is ‘Doctor
Joe’s’ secret love affair. All of this
seemed positive, from our perspective, but when we received the feedback we all
agreed it wasn’t giving off the message clear enough for our audience. Therefore we did not succeed with this newly
devised montage, but it was something worth taking into account and we will
alter the scene back to its original structure and perhaps use certain elements,
which we created in this session, and transfer them for our future scenes.
Q: Did we give any feedback to the other groups? If so, what was positive or needed improving
for their performances?
A:
Group One Feedback – This group devised their performance
extremely closely to the stimulus.
Bringing their own interpretation as to why ‘Billy Joe’ jumped off ‘the
Tallahatchie Bridge’.
Positive Points:
1. Brilliant
usage of stage space.
2. Brilliant
character structure (creating their characters in the formation of a ‘dysfunctional
family’, strongly referencing the stimulus).
3. Great
presentation of character relationships (in both a verbal and physical presentation
style).
4. Very
well-choreographed movement segments (I felt it helped them succeed in
reflecting the character’s/performer’s relations and how future events will
have a huge impact to the characters and storyline).
5. and
Good reference towards physical theatre practitioners of inspiration (‘Steven
Berkoff’ to reflect the dark and gloomy themes they were exploring for their
performance).
Points for Improvement:
1. At
some points I did find the character relations a little confusing, but this can
be easily rectified through their rehearsals.
2. and
Perhaps stronger vocal projection to really reflect the sound scape style used
in ‘Berkovian’ productions.
Group Two Feedback – This group gave another unique
interpretation of the themes within ‘Ode to Billy Joe’. Titling their performance ‘The Bridge’ their
main point of reference was ‘the Tallahatchie Bridge’ and its impact on
multiple characters through the presentation of a game show.
Positive
Points:
1. Good
presentation of character (I felt their characters reflected the style of ‘Commedia
dell’Arte’ in giving each character a distinct physical and vocal structure).
2. Brilliant
usage of all stage space (especially their opening scene of interacting with
the audience and give a powerful/intriguing start to their performance).
3. Excellent
engagement with the audience (as we all began to strongly feel for the
characters).
Points for Improvement:
1. Perhaps
a little development into characters, to have an extra sense of involvement
with the audience, and truly make us care for the characters survival on this
deadly game show.
2. and
Make character development more realistic, rather than sudden and “out of character”.
But all in all
I found both performances entertaining and interesting, particularly to how
they referenced the stimulus, and how they brought to life their own unique
vision of the story within ‘Ode to Billy Joe’.
Q: Do I think we are ready?
A: I am
proud of what we have achieved in today’s session, and it has brought us to a
good
start so we can continue
devising future acts and scenes and bring our own unique vision of the messages
within ‘Ode to Billy Joe’ . Our goal for
tomorrow's session is to develop Act Two and complete devising Act Three.
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