Two Days
To Go
Tuesday 24th
February 2015
Q: How
has this rehearsal session helped for our main performance?
A: In this rehearsal session we have
successfully run through the entirety of our new and official performance
structure. Today we focused on the
entire performance, from start to finish, looking particularly to how we could
devise the performance to an independent and professional standard.
Q: What did I personally achieve?
A:
Throughout today’s rehearsal, one key area of devising that I found
entertaining was my improvisation/presentation of ‘Doctor Joe’ expressing his
stress and depression physically.
In my blog post showing the official
performance structure in the final scenes of each act, we took the opportunity
to show the audience physically the stress ‘Doctor Joe’ is going through,
throughout this performance.
What we devised so far, was mainly myself improvising
the character stressing and almost panicking over what will happen to him, and
how he doesn’t see a future for himself.
But through my improvisation, all I managed to construct had a very
natural flow to it, reflecting no physical theatre elements. But in today’s session I felt I devised these
scenes to a better standard.
My particular area of inspiration, when it
came to devising the physical aspect of the scenes, I looked particular to our
overall practitioners of inspiration, ‘Steven Berkoff’ and ‘Frantic Assembly’. My initial goal when improvising/devising
these scenes of mine, I began with “wanting to combine the two practitioner
styles together”. Therefore I kept
hints, with my naturalism, when performing, yet referencing as well with
abstract turns and near clockwork actions, referencing ‘Berkoff’. But when it came to exploring my character’s
mental state I turned to ‘Steven Berkoff’ for inspiration. I knew that ‘Doctor Joe’ at this state would
have mixed emotions and would have no real goal when entering this scene, and I
found this reflected a quote from ‘Steven Berkoff’ himself: “These characters
have no particular pattern.” – Berkoff, ‘Shakespeare’s Villains’ https://www.youtube.com/watch?v=Py9CMN3TYyM&spfreload=10
I felt this quote particularly justified
my character. As ‘Doctor Joe’ has no
pattern to his actions, in these scenes, and he has no set emotions, he’s
worried, concerned, confused, stressed and emotionally trapped all at the same
time. Plus I feel it also backs up my
mixture of both physical theatre practitioners’ styles.
Not only that, but with usage of props
(the Dictaphone), we changed the scripted dialogue to come as the act ends
(instead of the beginning) to foreshadow ‘Doctor Joe’s’ loss of professionalism
in his job status and descending into depression and nothing.
I personally feel that this was a huge
step forwards in the final devising/rehearsal stages, and these are elements I
strongly hope to project for the main performance and indicate all these
emotions towards our future audience.
Q: What
is the plan for tomorrow’s rehearsal session?
A:
Concluding the day with a clear vision for lighting and music cues, plus
with the entire performance devised, once again the plan is to just rehearse “like
mad” and wrap up any final details so we and the main performance is prepared.
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