Contemporary Theatre Performance
Evaluation:
‘ROAD’
Interpreting
the Text
After our first read through of ‘ROAD’, I
managed to deduce very little of its story, its messages, and its purpose. Story wise; my initial thoughts was that it
was series of monologues dedicated to looking at life in the 1980s through
various characters eyes (it wasn’t until my second read through that I realised
that there was a relation between the characters). Message wise; in later session we analysed
the text to see if we could find any themes within its context. The themes we managed to deduce were:
·
The
Theme of Change
·
The
Theme of Sex
·
and
The Theme of Responsibility
As I later researched and discovered, in
the assignment’s process, that these themes in particular summarised the
characters, their objectives/obstacles, and their story arcs. My final initial response to the text was,
questioning its purpose. In our first
read through, I knew that the play was set in the 1980s, I knew this was going
to be a dark depiction of life, and I knew there was going to be many
characters involved. Therefore my first
response was that ‘ROAD’ was in fact a dark depiction of life on this road told
through various perspectives. But it
wasn’t until later read through that I discovered that the majority of the
characters are related, therefore enhancing the depiction of the road, as all
the perspectives were now a community perspective of the dark, dull, and
horrific road life.
Once I had received a decent understanding
of the text itself, I didn’t hesitate to go straight into my personal research
of the play. Firstly, I needed a little
more help in understanding the play itself.
So my first piece of research was based around professional stage
reviewers summaries of the plot, this helped me receive a better idea of the
plays plot and purpose. Plus it helped
me to receive a critical response, knowing whether it was a good or bad play.
All in all I did struggle at first with my
research, but once I had received my performing role I dived straight into my
character study research. This helped me
vastly with my extended research for ‘ROAD’ as well. While my character was rather strict and
elderly in his mannerisms, there was a lot to base my research around, such as
the Generation X period within the 1980s and the change of politics. All of which backed up my characters research
and my understanding of the true purpose with ‘ROAD’s text.
Rehearsal
Techniques
With the research process complete we
instantly began the rehearsal process.
Now throughout this process I learnt and discovered many things about
myself as an actor and about my character.
These are the key rehearsal techniques that I feel I achieved a positive
overall response in:
·
Personal Management – I feel I
succeeded well with my personal management within this assignment. I ensured I had everything I needed for
rehearsals, I kept a positive attitude to ensure a good process, and I
worked/interacted well with the rest of the class. All to ensure myself and the others a good rehearsal
and production process.
·
Line Learning – I see this one as
another positive, as I feel I succeeded in mastering my lines earlier on in the
process. I used similar line learning
techniques from the past (in speaking the text out loud in a monotone
repetition) so I could focus new techniques needed for this particular performance. Such as learning the northern accent and my
own characters vocal, even, physical traits.
All of which I think allowed me to succeed in bringing my character to
life.
·
Response to
Directing
– Linking back to my first two points I feel that my response to directing
supported my personal management and my line learning development. Not only did I receive directing feedback
from my performance/assignment director, but from my fellow peers as well. This led me to receive various feedback and
directing ideas/suggestions for my character, in order to develop. I think I responded well, as I took in all
that I thought would help me progress, and I rejected any feedback that I
thought didn’t suit my character.
·
Time Management – Another extreme
positive in my rehearsals techniques. I
ensured I was on time for each rehearsal and performance session and never
aimed to be late of miss a session.
·
Working
Relationships –
I think of this as another positive as well.
I feel I did work well with other members of the class/cast. As we I offered feedback to their
performances as well and we all ensured a good, positive, and active rehearsal
process. While there were some
disagreements with directing suggestions we all gave a positive attitude and
made this process a success.
·
Peer Feedback – As I mentioned in
earlier points I did receive a lot of feedback notes, but I also gave a lot of
feedback notes as well. I felt this was
another extreme positive in the rehearsal process. Because it allowed us to develop individually
as actors in this piece and as actors in general. We all developed in a speedy rate with our
characters and we developed in understanding more and more of the rehearsal and
production process actors go through.
All the while upholding a positive attitude.
Process
I feel another extreme positive was my
personal development as a performer in this piece. Firstly, my character development I feel was
thanks to my peer’s feedback. The feedback
I received developed my own understanding of my character to a standard that
gave my character layers of info and detail that supported the plot and this
character’s perspective of the road life.
Plus developing my character understanding to a new and improved factor
allowed me to develop my own performance techniques. Vocally and physically I adapted to this
character, who has a specific walking posture and vocal (in accent) tone, all
to reflect his origins and his current state.
Performance
When watching our main performance back I
did notice some negatives within my own performance, but negative notes aside I
feel I succeeded in certain areas within my performance:
·
Engagement with the
Audience
– I feel I succeeded in engaging the audience with my character. As my main goal was to show the audience the
tragedy the character had been through and was going through. But I felt I succeeded in grabbing the
audience’s attention and showing them this perspective of the road.
·
Focus – From the start
of my monologue to the end, I held my focus high to really stay in character both
physically and vocally. Thankfully I
didn’t focus too hard to an extent where I gave a boring performance. But I gave enough energy and focus to present
an intriguing character on stage.
·
Confidence – Backing up my
focus on stage I feel I gave a decent amount of confidence on stage to ensure
that it wasn’t a boring performance. But
I do feel that in rehearsals when performing in the northern accent it did decrease
my confidence. But thanks to more
rehearsals and peer feedback I felt I gave the precise amount of confidence to
ensure it was well projected in character performance.
·
Execution of Vocal
and Physical Skills
– As I mentioned earlier I did struggle at first with my physical and vocal
presentation of my character, but over rehearsal time developed to an improved
standard. I feel that my main execution
of vocalisation and physicality was an extreme positive as well. I am particularly proud of my portrayal of
the physicality of my character. As I
upheld the elderly mannerisms of the character and showed enough aggression within
his personality. Vocally, while I feel I
lacked in projection and inflection, I am pleased with the fact I mastered the
northern accent, and I feel this was something to improve upon for future
performances. But all the while I am
pleased with my execution in character.
·
Consistency and
Coherence of My Role & My Commitment – Linking back to the previous points, I
felt extremely positive about my execution in character and confidence on
stage, leading me to uphold a constant coherence in character. This allowed me to develop my role in the
play and develop my understanding of the characters purpose and the
context. Therefore I feel I gave a positive
attitude towards the consistency in my role as I wanted to give one hundred
percent commitment to this role and truly bring the character to life. My commitment to this role wasn’t limited as
I explored a wide range with my character study and gave various performance
elements to really bring my character to life physically and vocally. It was an extraordinary process that brought
exceptional results.
Strengths
Now onto the essential evaluative notes;
what do I think were my strengths within this assignment?
1.
Learning my lines – Learning my
script wasn’t a difficulty and I pursued an early understanding of my character
thanks to this strength.
2.
Understanding the
Themes and History behind the Text – Throughout this assignment’s process I
feel extremely positive with my contribution towards the research, and
understanding the themes and history was the perfect strength within my
research process.
3.
Developing my Performance
Skills –
When beginning this assignment I intended to use my previous performance skills,
used in other performance roles, but it wasn’t later in the process that I
realised that I could use and develop new performance skills. This proved to be an extreme positive as I felt
I gave a performance to my full potential and I received new skills which will
come in handy in future performances. It
developed my performance and me as a performer.
Weaknesses
What do I think were my weaknesses within
this assignment?
1.
Some of my
Vocalisation Traits
- While I really enjoyed learning the northern accent, for this performance, I
do feel that I could have improved a little more in my presentation of the
accent. Once I had learnt my lines I
went straight into learning the accent and how to use inflection to bring my
character’s vocal traits to life. While
the feedback from my peers was helpful and supportive, I feel that in the main
performance I needed more rehearsal in my inflection and accent development,
just so I could bring an accurate and realistic interpretation of this
character to life on stage.
2.
Needed more Articulation – Supporting my
lack of inflection, I feel I had a lack of articulation as well within my
vocalisation. While at first I felt I
wouldn’t be an issue because the northern accent allows the loss of certain
words within spoken sentences. But it
turned out to be an issue within my performance as some words weren’t as clear
as they needed to be. For example; I had
say the word “sex” out loud, unfortunately it apparently sounded like I said “six”. While my performance did receive good
feedback from my peers and the audience, I do feel this is a weakness and I
could improve upon it for future reference.
Target
Setting
Now that this assignment piece is complete
I have set myself some targets which I would strongly like to concur for future
assignment performance pieces. My three
key targets are:
1.
Land more or bigger
Performance Roles
– While the performance role I received was good and essential to the plot, and
I really enjoyed researching and creating his character, I was rather
disappointed with the lack of stage time he had. Therefore I will make it a goal of mine to
land a bigger performance role. One that
perhaps has dialogue with other characters.
2.
Give more Feedback
to other Performers
– While I did take feedback notes and gave them to other performers, to help
them as best as I could. I did feel as
though I could have given them up close directing suggestions of my own to help
them with their performance.
3.
Research into more
than one Character to receive a Bigger Picture of the entire Storyline – I am very
pleased with my research within this assignment, but I couldn’t help but feel
that it was restricted with my research.
In particular looking around my character and his story arcs helped me
to learn about the rest of the story.
Therefore I feel the need to perhaps research other characters to help
me receive a bigger picture of the fiction depiction of life.
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